There are some artists whose music feels like it’s woven into the very fabric of your being, and for many, Bob Weir is one of them. As a lifelong fan of the Grateful Dead and all things Dead-related, I’ve had the immense pleasure of seeing Bobby in various configurations over the years. But my recent experience catching Bob Weir and The Wolf Bros was something truly special, a deep dive into the heart of his musical legacy that felt both intimately familiar and refreshingly new.
The four-night run took place at Broward Center for the Performing Arts (Dec 27, 28, 30, and 31).
The Wolf Bros, for those not in the know, is Bob Weir’s current touring project. Initially conceived as a stripped-down trio featuring the legendary Don Was on upright bass and the incomparable Jay Lane on drums, it has since evolved. Now, they often perform as Bobby Weir & Wolf Bros featuring The Wolfpack, adding a glorious string and brass quintet (with members like Alex Kelly, Brian Switzer, Adam Theis, Mads Tolling, and Sheldon Brown) and often a pedal steel guitarist like Barry Sless, as well as the ever-present Jeff Chimenti on keyboards. This expanded lineup creates a rich, textured sound that brings new dimensions to familiar tunes.
From the moment the lights dimmed and the first notes filled the air, there was an undeniable magic. Bobby, with his signature rhythmic guitar work and soulful vocals, led the charge. What’s so captivating about the Wolf Bros is the way they approach the material. It’s not about recreating the Grateful Dead sound note-for-note; it’s about reinterpreting and exploring, finding new pathways within the vast Grateful Dead catalog, alongside some of Bobby’s solo work and choice covers.
The addition of The Wolfpack is a game-changer. The horns and strings weave in and out of the melodies, adding layers of emotion and sophistication that are simply breathtaking. There were moments when the music swelled into a beautiful, almost orchestral crescendo, and then moments when it pared back down to the core trio, allowing for a raw, bluesy intimacy. It’s a testament to the musicianship of everyone on stage that they can seamlessly transition between these dynamics.
One of the most thrilling aspects of a Bob Weir show, regardless of the band, is the improvisation. The Wolf Bros embrace this fully. You can feel the musicians listening intently to one another, responding to subtle cues, and embarking on sonic journeys that are unique to that very moment. It’s a conversation played out through instruments, and being a witness to it is a truly immersive experience.
The setlist was a beautiful blend of deep cuts and beloved classics. Hearing songs like “China Cat Sunflower” or “Terrapin Station” infused with the brass and string arrangements was a revelation. It felt like hearing them for the first time again, discovering new nuances and depths. And then there were those moments when Bobby would launch into a bluesy number or a poignant solo tune, showcasing his remarkable versatility.
Beyond the music, there’s a palpable sense of community at a Bob Weir show. The audience, a mix of seasoned Deadheads and newer fans, is engaged and appreciative. There’s a shared understanding, a collective joy in experiencing this music together. It’s more than just a concert; it’s a gathering of like-minded souls.
If you have the chance to see Bob Weir and The Wolf Bros, especially with The Wolfpack, do not hesitate. It’s a masterclass in musical exploration, a deeply moving performance, and a joyous celebration of a truly iconic legacy. You’ll leave with your heart full and your spirit soaring, reminded once again of the enduring power of good music.
The Vibe: The Broward Center was transformed into a “Classy Shakedown.” The venue hosted a pre-show riverfront experience with vendors, while the theater inside provided crystal-clear acoustics for the complex arrangements.
Night 1 & 2 Highlights: The band leaned into expansive, jazzy suites. Standouts included a heavy “Lost Sailor > Saint of Circumstance” and a gritty “Desolation Row” (a yearly tradition for Weir).
The Oteil Burbridge Surprise: On December 30, Dead & Company bassist Oteil Burbridge joined the band for a massive “Help on the Way > Slipknot! > Franklin’s Tower.” Seeing the interplay between Don Was’s upright bass and Oteil’s melodic electric lines was a once-in-a-lifetime treat.
New Year’s Eve: The show was billed as the “Year of the Snake” gala. The countdown led directly into a high-energy “Hell in a Bucket,” followed by a psychedelic “Silvio > Tequila > Silvio” sandwich that had the entire theater dancing.
